Prisoner’s Flower: The story centers on Count de Charney, a prisoner who finds solace in a small flower growing in the prison yard.
Emotional Transformation: The flower brings Charney hope and emotional transformation, highlighting the healing power of nature.
A good book we like, we explorers. That is our best amusement, and our best time killer
- Roald Amundsen, Explorer
In the darkest corners of despair, hope can sprout in the most unexpected forms. Such is the tale of a wrongly accused gentleman named Charney, whose life transforms dramatically within the bleak walls of a French prison. Discover how a simple seed named Picciola, sprouting between the harsh prison stones, becomes an emblem of resilience, offering solace and transforming Charney's outlook. This compelling narrative promises to unfold the profound power of hope and the beauty of life, even in the most dire of circumstances.
Imprisoned within the high stone walls of a French prison, Charney leads a life of solitude and despair. Wrongfully convicted, he finds himself abandoned and forgotten by the world. With no books to read or pens to write with, he is left to count the paving stones in the prison yard to fill his endless days. His freedom and joy have been replaced by the iron bars of the prison, leaving him with a deep sense of hopelessness. Yet, within this bleak existence, a beacon of hope is about to emerge.
One spring morning, Charney's routine walk in the prison yard is interrupted by an unusual sight. Nestled between two paving stones, a small mound of earth catches his attention. Upon closer inspection, he discovers a tiny green leaf, struggling to push its way out of the ground. Despite his initial instinct to crush it, he decides to spare the fragile plant, moved by its delicate leaf covered in a soft protective coating. This seemingly insignificant plant, which he names Picciola, becomes a symbol of life and resilience in Charney's otherwise desolate world.
With each passing day, Charney's bond with Picciola grows stronger. He finds himself eagerly checking on the plant every morning, worried about the effects of the harsh weather. The sight of the jailer brushing past the plant fills him with dread, fearing the loss of his newfound companion. This growing attachment to Picciola changes Charney's perspective on his prison sentence. His days are no longer consumed by monotony and despair, but filled with the anticipation of seeing his little plant grow and thrive.
As Charney's attachment to his plant, Picciola, grew stronger, so did the dangers that threatened its existence. The prison yard, a harsh environment for any living being, was especially treacherous for the delicate Picciola. It experienced near brushes with destruction, once when the jailer unknowingly came perilously close to crushing it, and another time when the jailer's dog nearly trampled it.
Charney, ever the vigilant guardian, realized that Picciola needed more protection. Despite the meagre resources available to him, he ingeniously used his allotted firewood to build a small protective structure around his cherished plant. This is an example of Charney's resourcefulness and his growing dedication to preserving Picciola's life.
Despite Charney's efforts, there came a point when the survival of Picciola seemed impossible. The plant began to wilt and wither, its vitality drained away by the unyielding stones of the prison yard. At this critical juncture, Charney made a bold decision: he would reach out to the man who had imprisoned him, the Emperor Napoleon, in a desperate bid to save Picciola.
Charney, swallowing his pride and hatred for Napoleon, wrote an appeal on his handkerchief, detailing his unique relationship with Picciola and the plant's dire predicament. He entrusted this plea to a young girl who agreed to deliver it to the emperor, a testament to Charney's newfound humility and generosity of spirit.
The final chapter of this story is as surprising as it is uplifting. Following Charney's heartfelt plea, the emperor's wife, moved by his plight, ordered the removal of the stones threatening Picciola's life. Not only was Picciola saved, but Charney, too, was given his freedom.
Charney was transformed by his experience in prison and his relationship with Picciola. His despair was replaced with hope, his loneliness with companionship, and his bitterness with gratitude. His story is a powerful testament to the transformative power of nature, the strength of the human spirit, and the unexpected kindness that can be found in even the most dire circumstances.
The tale of Charney and Picciola serves as an inspiring testament to the power of hope and resilience. Through the lens of Charney, we witness the transformative effect of Picciola, a humble plant, in a harsh prison environment. This narrative beautifully encapsulates the enduring spirit of life, even in the face of despair. It's a poignant reminder that hope grows even in the most unlikely places, and the nurturing of life, no matter how small, can lead to one's own redemption and liberation. This tale indeed offers us a profound lesson about life, transformation, and the unexpected kindness of humanity.
Many years ago there was a poor gentleman shut up in one of the great prisons of France. His name was Charney, and he was very sad and unhappy. He had been put into prison wrongfully, and it seemed to him as though there was no one in the world who cared for him.
He could not read, for there were no books in the prison. He was not allowed to have pens or paper, and so he could not write. The time dragged slowly by. There was nothing that he could do to make the days seem shorter. His only pastime was walking back and forth in the paved prison yard. There was no work to be done, no one to talk with.
One fine morning in spring, Charney was taking his walk in the yard. He was counting the paving stones, as he had done a thousand times before. All at once he stopped. What had made that little mound of earth between two of the stones?
He stooped down to see. A seed of some kind had fallen between the stones. It had sprouted; and now a tiny green leaf was pushing its way up out of the ground. Charney was about to crush it with his foot, when he saw that there was a kind of soft coating over the leaf.
"Ah!" said he. "This coating is to keep it safe. I must not harm it." And he went on with his walk.
The next day he almost stepped upon the plant before he thought of it. He stooped to look at it. There were two leaves now, and the plant was much stronger and greener than it was the day before. He staid by it a long time, looking at all its parts.
Every morning after that, Charney went at once to his little plant. He wanted to see if it had been chilled by the cold, or scorched by the sun. He wanted to see how much it had grown.
One day as he was looking from his window, he saw the jailer go across the yard. The man brushed so close to the little plant, that it seemed as though he would crush it. Charney trembled from head to foot.
"O my Picciola!" he cried.
When the jailer came to bring his food, he begged the grim fellow to spare his little plant. He expected that the man would laugh at him; but although a jailer, he had a kind heart.
"Do you think that I would hurt your little plant?" he said. "No, indeed! It would have been dead long ago, if I had not seen that you thought so much of it."
"That is very good of you, indeed," said Charney. He felt half ashamed at having thought the jailer unkind.
Every day he watched Picciola, as he had named the plant. Every day it grew larger and more beautiful. But once it was almost broken by the huge feet of the jailer's dog. Charney's heart sank within him.
"Picciola must have a house," he said. "I will see if I can make one."
So, though the nights were chilly, he took, day by day, some part of the firewood that was allowed him, and with this he built a little house around the plant.
The plant had a thousand pretty ways which he noticed. He saw how it always bent a little toward the sun; he saw how the flowers folded their petals before a storm.
He had never thought of such things before, and yet he had often seen whole gardens of flowers in bloom.
One day, with soot and water he made some ink; he spread out his handkerchief for paper; he used a sharpened stick for a pen—and all for what? He felt that he must write down the doings of his little pet. He spent all his time with the plant.
"See my lord and my lady!" the jailer would say when he saw them.
As the summer passed by, Picciola grew more lovely every day. There were no fewer than thirty blossoms on its stem.
But one sad morning it began to droop. Charney did not know what to do. He gave it water, but still it drooped. The leaves were withering. The stones of the prison yard would not let the plant live.
Charney knew that there was but one way to save his treasure. Alas! how could he hope that it might be done? The stones must be taken up at once.
But this was a thing which the jailer dared not do. The rules of the prison were strict, and no stone must be moved. Only the highest officers in the land could have such a thing done.
Poor Charney could not sleep. Picciola must die. Already the flowers had withered; the leaves would soon fall from the stem.
Then a new thought came to Charney. He would ask the great Napoleon, the emperor himself, to save his plant.
It was a hard thing for Charney to do,—to ask a favor of the man whom he hated, the man who had shut him up in this very prison. But for the sake of Picciola he would do it.
He wrote his little story on his handkerchief. Then he gave it into the care of a young girl, who promised to carry it to Napoleon. Ah! if the poor plant would only live a few days longer!
What a long journey that was for the young girl! What a long, dreary waiting it was for Charney and Picciola!
But at last news came to the prison. The stones were to be taken up. Picciola was saved!
The emperor's kind wife had heard the story of Charney's care for the plant. She saw the handkerchief on which he had written of its pretty ways.
"Surely," she said, "it can do us no good to keep such a man in prison."
And so, at last, Charney was set free. Of course he was no longer sad and unloving. He saw how God had cared for him and the little plant, and how kind and true are the hearts of even rough men. And he cherished Picciola as a dear, loved friend whom he could never forget.